Monthly Archives: June 2015

math help

Math-Language-Wordle

 

OK, so here is how I figure it.  Our Indiegogo campaign still needs to raise around $9000.

If 300 people give $30 each we are there!

If 150 give $60, mission accomplished!!

If 90 give $100, we have it!

If 75 give $120, brava!

If 30 give $300, done and done!

If 10 give $900, VOILA!

It is called crowdfunding, so we need a crowd.  We thank and appreciate all of you who have donated. If each of you could find a friend to donate, we would be well on our way to our goal.  Please do that.  Please help us make a crowd. 

Finally, please check out our Indiegogo page to learn why this is a wonderful, soulful project.

Please DONATE to our Indiegogo campaign.

Thank you!

 

SHARE & EMAIL

meet Susan Hamburger

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SUSAN HAMBURGER (Lighting Design) is the newest member of the Little Fictions, Ragged Memoirs team.  We are so excited to be working with her.

SUSAN is based in New York City. She 
has worked extensively in live theater with such notable artists as Craig
 Harris, Lucinda Childs, Shirin Neshat, Philip Glass, Mark Rucker, and numerous dance companies including the Bessie Award winning Urban Bush Women and Bessie winner Nora Chipaumire. Other notable dance companies include Troika Ranch, Blondell Cummings, Urban Tap, Ellis Wood, Alice Farley, Christopher Caines, Susan Chirniak, Carol Nolte and David Parker and The Bang Group among others. She has also designed The Abundance Project,
 Hamletmachine, Logic of the Birds, On The Verge, A Child’s Christmas in Wales, Little Shop Of Horrors, Suddenly Last Summer, The Great Highway, West Side Story, The Cryptogram, Hamlet, Much Ado About Nothing, Waiting for Godot and Mame, as well as many other original plays and performance pieces.

Here is what kind of magic she does with light!

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Please DONATE to our Indiegogo campaign.

Thank you!

 

 

 

another little video

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This is a work-in-progress video clip from The Traveler. I have probably edited it 100 times. It’s not finished. What I am looking for in the editing is a sense of pausing, waiting and inner suspense in relationship to the door – almost as if The Traveler is looking for the key to enter through movement.

Working in video is new for me.  I taught myself how to edit last year because I wanted to knead the images myself.  Where moving in the studio is a kinetic inquiry, this is visual, aural and kinetic.  I am a beginner, I freely admit, but I am obsessed with this new way of working.

COURTYARD from Paula Josa-Jones on Vimeo.

 

Please help me share my work with you.

You can do that by making a donation to my

Indiegogo campaign.

blessed to be obsessed

facewall 9d - Version 7

I had a lovely conversation the other day with my friend Adrianne Ryan, a horsewoman and photographer who lives on Martha’s Vineyard.  We were talking about work and she said, “Well, I am blessed to be obsessed.”

Me too.  Movement – finding it, growing it, blowing it open, turning it into something ineffable, inevitable and fierce is my obsession (one of them.)

It is work and it isn’t work.  The movement claims, re-shapes and hones me.  And then I want to share it – speak through it, connect with it.

Last year, during a creative residency, I became obsessed with editing and layering these photographs taken by Pam White (above) that have become a part of The Traveler, one of the dances in the LFRM trilogy. I wanted to evoke something about layering, overlay, what is there and not quite there in all of us.

Yesterday I listened to a wonderful Diane Rehm podcast with Buddhist priest, philosopher and writer Mathieu Ricard.  He was talking about his new book Altruism: The Power of Compassion to Change Yourself and the World.

Listening to him, I realized that my wanting to share and connect with the world through movement is a form of altruism.  Maybe earlier in my career it was about something else, something less generous.  But now it is about making a connection, about sharing the best of myself and reaching out to the best in you.  I felt that so clearly when I watched Kyle Abraham’s solos filmed by Carrie Schneider, that his vulnerability was a deep gift to us.  I was/am so deeply moved by that.

As artists, I think we have to aim higher than personal ambition, beyond what we know to reach that skyward, earthly part of ourselves that connects to the skyward, earthly place in each other.

Please help me share my work with you.

You can do that by making a donation to my

Indiegogo campaign.

 

Thank you!!