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	<title>Ride Dance Write &#187; horse whisperers</title>
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	<description>Paula Josa-Jones</description>
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		<title>cross dressing</title>
		<link>https://www.paulajosajones.org/RideDanceWrite/2011/09/25/cross-dressing/</link>
		<comments>https://www.paulajosajones.org/RideDanceWrite/2011/09/25/cross-dressing/#comments</comments>
		<pubDate>Sun, 25 Sep 2011 21:28:30 +0000</pubDate>
		<dc:creator><![CDATA[Paula Josa-Jones]]></dc:creator>
				<category><![CDATA[horses, dogs & more]]></category>
		<category><![CDATA[moving, breathing, feeling]]></category>
		<category><![CDATA[horse whisperers]]></category>
		<category><![CDATA[Linda Tellington Jones]]></category>

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		<description><![CDATA[Marion Laval-Jeantet is a performance artist who is experimenting with the meaning of &#8220;trans-species&#8221; art.  In her piece, Que le cheval vive en moi (the horse lives in me), over a period of several months, she was injected with horse blood plasma containing a spectrum of equine immunoglobulins.  Her goal was to experience the body-mind [&#8230;]]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.paulajosajones.org/RideDanceWrite/wp-content/uploads/2011/09/Picture-51.png"></a><a href="http://www.paulajosajones.org/RideDanceWrite/wp-content/uploads/2011/09/313126_10150803287755451_791510450_21023878_587668896_n.jpg"><img class="aligncenter size-full wp-image-445" title="313126_10150803287755451_791510450_21023878_587668896_n" src="http://www.paulajosajones.org/RideDanceWrite/wp-content/uploads/2011/09/313126_10150803287755451_791510450_21023878_587668896_n.jpg" alt="" width="960" height="656" /></a><br />
<a href="http://www.wired.com/underwire/2011/08/horse-blood-art/">Marion Laval-Jeantet </a>is a performance artist who is experimenting with the meaning of &#8220;trans-species&#8221; art.  In her piece<em>, Que le cheval vive en moi</em> (the horse lives in me), over a period of several months, she was injected with horse blood plasma containing a spectrum of equine immunoglobulins.  Her goal was to experience the body-mind of another species, which she described as a heightened sensibility and nervousness. After the final injection she performed a communication ritual with the horse, pictured above.</p>
<p>Marion&#8217;s work connects to the body art experiments of <a href="http://www.caroleeschneemann.com">Carol Schneeman</a>, <a href="http://en.wikipedia.org/wiki/Marina_Abramovi%C4%87">Marina Abramović, </a>one of who&#8217;s works involved dancing until she collapsed from exhaustion, among others.</p>
<p>I am interested in this work because it seems to be an effort to dissolve the prey/predator distinction between horse and human.  There are horse whisperers and trainers who claim to &#8220;speak horse,&#8221; and yet when I watch, there is always that divide.  The man/woman is still a meat eater.</p>
<p>The closest thing I have experienced in dissolving that divide is the work of <a href="http://lindatellingtonjones.com/index.shtml">Linda Tellington-Jones. </a>TTouch, her radical work with touch goes &#8220;under the skin&#8221; &#8211; creating a borderless place of attunement where horse (or dog, cat, snake, bird, elephant) and human meet.  I have been TTouching for about seven years, and I wonder if Marion would find that using touch in this way can carry her as deeply into the blood and bone of the human-horse bond.</p>
<p>How do you cross dress?</p>
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