Author Archives: Paula Josa-Jones

the heart of the matter

Mary Muncil wrote a lovely post today that spoke about the holidays and the “big day phenomenon,” or the ways that the holidays can trigger high hopes and disappointment. She urges us to have a welcoming heart, no matter how things show up.

For years I would weep at Christmas.  I had a bad case of the Big Day thing.  I missed my father, who passed in 1993.  I missed my childhood. I missed Minnesota, which in fact I had left as soon as I could (no ocean).  In the process of all that weeping, I also missed what was there.

I still have twinges, but they are milder, and there is more joy, more appreciation.  I still miss my father, but I can feel him here in a deeper way now.  I can feel myself more deeply as well.

One thing that has helped me is letting go of some of the rigidity around the Christmas rituals:  The Formulaic Christmas.  How things should look and feel.  Where they go.  When they happen.  Not that there aren’t rituals, they just don’t have the big urgent charge around them that they used to.  My Christmases now have a more improvisatory swing to them, which helps me to connect to the heart of the matter.

ps.  the price for Breaking into Blossom goes up on Friday. $75 until then.

 

 

 

SHARE & EMAIL

riding, dancing

Photo:  Claire Glover;  Brandi Rivera riding Amadeo

Riding is the hardest thing that I do.  Physically.  Mentally.  Spiritually.

I am a dancer.  Riding is harder.  The intricacy, the communication, the balance, the nuance, the subtlety required in the riding arena are beyond anything I have experienced in a dance studio.  Martha Graham said that it takes ten years to make a dancer.  One of my first trainers, Beach Bennett, said that it takes at least two lifetimes to become a rider. She is right.

I have had to accept that despite my physical skills, my training and my understanding, I am going to need that second lifetime to become all that I want as a rider.  It is humbling. I welcome it.

I wrote yesterday about touching horses, and the way that brings me to my knees.  How I love it.  Riding is that way too.  Sitting in the saddle (my zafu) and finding the first rhythmic harmonics with my horse’s walk is like breathing. Or like stepping into the water, readying for a swim.  Being challenged to seek harmony, softness, clarity and balance throughout a riding lesson is like sitting with a tough Zen master.  Or like my yoga classes with Patricia Walden.  No tuning out, not ever, not for a moment.

The horse, you see, deserves nothing less than my very best.

Rigor and ecstasy.  Could there be anything better?

touching horses

Today as I was brushing out the second tail of the day, after soaking Capprichio’s abscessed foot, and grooming Amadeo, I suddenly looked up and wondered, why do I love this?  Why do I love touching horses?  I was holding the tip of Deo’s tail, and looking at his very fuzzy hamstrings with their winter wisps of long hair.  Why do I love this?  Why is it that the acts of touching, massaging, brushing, picking out feet, stroking the face never get old.  Why is it that a day without those movements is not complete?

I honestly do not know.

My birth chart has absolutely no earth in it.  I am all air, fire and water.  Maybe the deep groundedness of the horses gives a balance to my energetic constitution.  Or I just love them in this deep helpless way.  They take my breath away.  They are happy to see me.  They express that in many ways.  They nuzzle me, they lay their noses on my cheek and ask me to stand there and breathe.  They appreciate my touching.  There is something in the ritual, the connection, the meditative quality of those movements and those moments spent together that soothes me to the bone.  To the soul.

As I said, though, I really don’t know.

(Asked and answered . . . )

ps.  I re-enabled comments on the blog.  My thought of the moment is why cut off conversation anywhere?  (Thank you Nicole),

the quiet eye

Today my horse Capprichio has an abscess in his hoof.  It is very painful, and hard to watch him stand on three legs, lifting the sore hoof, limping badly as he moves from one place to another. An abscess can happen when a nail from the shoe is poorly seated.  We pulled the shoe, poulticed the hoof, and he will feel better soon.

Capprichio’s eyes, even in pain, are steady and clear.  Soft, even.  He does not look worried  He is not making something out of this.  I think it is because he is not focused on the pain.  He feels it, no doubt, but it is not his chief preoccupation and distraction.  He is enjoying his hay, the December air and the view from his stall.  That and the pear that I brought him today.  Another lesson.