Author Archives: Paula Josa-Jones

thank you

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“If the only prayer you ever say in your entire life is thank you, it will be enough.”
“Truly, it is in darkness that one finds the light, so when we are in sorrow, then this light is nearest of all to us.”
Meister Eckhart

 

This morning’s Deepak Chopra meditation was about gratitude.  About the prayer that is simply, “thank you.”  As I sat with that feeling, I was overwhelmed.  There is too much, I thought, too much to appreciate, to be grateful for.  Where do I begin?  With just the touch or air on my skin?  With the raving wind outside?  With the field of possibility this day holds?

For the past seven months, since my daughter ran away, I have not felt the gratitude, but the curse of loss and sorrow.  In the midst of that, I have felt moments of appreciation glimmering through a penetrating darkness, but my heart was dark, wounded.  My attention felt magnetized not to what was present, but to the absence.

Today though, I felt flooded with light.  I am not a religious person, but the experience was ecstatic, like Paul on the road to Damascus.  What I mean is that I felt an inner conversion to lightness, to gratitude, to appreciation.  As if all of the work I have been doing to make my way through my grief and rage had suddenly taken hold.  As if “thank you” had illuminated my personal yellow brick road.

Looking up from my meditation i saw the branches of the birch trees outside tickling the waning moon.  The light on the white trunks was like a call to action.  So for me, today, thank you.  Thank you.  thank  you.

 

 

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I am free #2

rylance-630Mark Rylance in Twelfth Night.

“Where most of us succumb to the limiting power of self-preservation, Shakespeare rushed toward the enormous freedom that can come with “why”—the spirit of inquiry that jump-starts the imagination.”

Hilton Als, The Mirror Has Two Faces, The New Yorker

I was struck by this quotation in The New Yorker from a review of the current production of Twelfth Night at the Belasco. I got to thinking about the “limiting power of self-preservation.”  What does that mean?  To me, it brings to mind living safe, trying to protect against disaster, loss, injury or heartbreak.  Right away, I can see that I have failed that litmus test.  My particular road is littered with all of the above.  I don’t see them as battle scars, so much as evidence of either rank stupidity (14 years of out-of-control drinking, for example) or the wisdom of putting my heart on the line.  Doing that was when I came out 27 years ago and fell in love with my beautiful wife, Pam.  It was also when I crashed through my fears to adopt our two daughters.  More than “the enormous freedom that can come with why” those were about the  freedom that came with “why not?”  or “yes.”

Saturday I went into my studio with dancer and long time friend Pamela Newell to do some Authentic Movement.  At the end of one time of moving, I found myself lying on the floor, holding my heart.  To me, it felt as if my heart, bruised and  cupped, had migrated to the outside of my chest, and that my hands were needed to keep it from falling away from me.  I knew that movement and the image were connected to my absent, estranged daughter.  Embodying that allowed me both to feel it that hurt and to release it.

Have I felt like giving up?  Of course.  Does that feel like the “limiting power of self-preservation?”  It does.  My broken heart requires me to keep opening, loving, praying.  Not asking “why” – which in this situation creates more suffering – but rather what am I being asked to do, and how shall I do it.  And in those questions I find the freedom to imagine, to dream, to hope.

 

a gift resides in every moment #2

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This post was in the Writer’s Almanac yesterday, and was forwarded to me by my friend Suzanne Weinburg as well.  Reminding me of Deepak Chopra’s centering thought for a few days ago, “A gift resides in every moment.”  Thursday’s  meditation was on intention, and on creating a vision of what you want.  According to Deepak, “Attention energizes, intention transforms.”

In my intention, I am seeing how every word, every thought, every action is a part of that river of intention, and how in the absence of attention, those little words, thoughts and actions can become wasteful, random and careless if I am not aware.  That does not mean that I have to be editing myself every minute, but that I need to feel the resonance of what I am expressing, even inwardly, and how it is rageful, or tragic or just obsessively ruminative, I am losing the forward-thinking, expansive possibilities of my deepest desire.  Profound loss, or devastation of a dream – let’s say the loss of a child – can shatter open the doors and create a necessity for change.

Last night, I was listening to sound effects – car crashes, buildings falling, terrible cracks of thunder and lightening.  I am looking for something for a score I am creating for a new solo.  Listening to them last night, I realized that they mirrored something in m experience (and how!) and that by bringing them fully into consciousness, I was also letting something go, or bringing it out of those obsessive, hidden ruminative places into creative light.  Giving myself permission to move, to keep moving, to dance.

Permission Granted

by David Allen Sullivan

You do not have to choose the bruised peach
or misshapen pepper others pass over.
You don’t have to bury
your grandmother’s keys underneath
her camellia bush as the will states.

You don’t need to write a poem about
your grandfather coughing up his lung
into that plastic tube—the machine’s wheezing
almost masking the kvetching sisters
in their Brooklyn kitchen.

You can let the crows amaze your son
without your translation of their cries.
You can lie so long under this
summer shower your imprint
will be left when you rise.

You can be stupid and simple as a heifer.
Cook plum and apple turnovers in the nude.
Revel in the flight of birds without
dreaming of flight. Remember the taste of
raw dough in your mouth as you edged a pie.

Feel the skin on things vibrate. Attune
yourself. Close your eyes. Hum.
Each beat of the world’s pulse demands
only that you feel it. No thoughts.
Just the single syllable: Yes

See the homeless woman following
the tunings of a dead composer?
She closes her eyes and sways
with the subways. Follow her down,
inside, where the singing resides.

“Permission Granted” by David Allen Sullivan, from Strong-Armed Angels. © Hummingbird Press, 2008. Reprinted with permission. (buy now)

bad idea

IMG_1794Photo:  Pam White;  Sculpture:  Gillian Jagger

I am stepping back into the world of horseless dance.  Like Gillian’s sculptures, the ground beneath my feet is marked with hoofprints, indelibly changed from spending fourteen years dancing with horses.  But at this moment, the theater calls.

Besides the time in the studio, besides the dancing, the dreaming, the focusing inward, there is also the parallel underworld of fundraising and booking.  I am trying to make friends with that world.  Not by sucking up to it, but by noticing if there is a way in which it can support me, in which I can offer my work without losing my mind and my soul.I think there is, but viewing myself through that lens can make me question everything about what I am quietly, wildly exploring in the studio.

I went online to one big funding site and looked at a long video of choreography by recipients.  There I found Michelle Ellsworth, whose work so delighted me that I Googled her further.  She is a gorgeous mover, a witty performer and exactly the kind of person I would like to hang out with for an afternoon at Starbucks.  I watched some of her videos online, and this one gave me pause.   What I found intriguing and disturbing was how easily I was convinced that what I had been working on was, in fact, a bad idea.

It isn’t really.  But doubt is the demon that besieges artists, my quicksand of choice.  It is the outfit I wear when I am filling out grant applications, or even thinking about it.  It is the great derailer.  So check it out, if you dare.

MV 103: You Had A Bad Idea from michelle ellsworth on Vimeo.