Love is about bottomless empathy, born our of the heart’s revelation that another person is every bit as real as you are. And this why love, as I understand it, is always specific. Trying to love all of humanity may be a worthy endeavor, but, in a funny way, it keeps the focus on the self, on the self’s own moral or spiritual well-being. Whereas, to love a specific person, and to identify with his or her struggles and joys as if they were your own, you have to surrender some of your self. When you stay in your room and rage or sneer or shrug your shoulders, as I did for many years, the world and its problems are impossibly daunting. But when you go our and put yourself in real relation to real people, or even just real animals, there’s a very real danger that you might love some of them. And who knows what might happen to you then?
Jonathan Franzen. “Liking is for Cowards. Go for What Hurts,” New York Times, Sunday, May 29, 2011.
There is nothing “just” about real animals. They are the doorway, the path to finding out about love. They help to unblock the sticky places, because with them, there is no resistance. They don’t extrapolate, they don’t hold onto historic, crusty ideas about us. They are just here, now.
Even with my horse, Amadeo and the many years of stuff between us – a history of deeply imperfect communication – it isn’t Deo who is holding the anthology of woes. It is me. The proof of that was that when I came back from working with Mark Rashid, with my new understanding of softness and breath, Deo opened to it all as if we had just met, as if it was all possible. No resistance, no baggage.
Abraham talks often and at length about getting happy. About how looking at the stuff we don’t like just produces more of it. She says that if your mind is dwelling on something you don’t like, “Get of of it! get off of it! I think that is the real secret (besides breathing) to the new direction with Deo. I wasn’t focusing on the problem. I was looking for the feeling that I wanted. And that felt great.
Get happy. Misery is way overrated.



