closer to home

Today was the first day that we went out and actually looked at houses.  We think that we may have found something.  Our new nest, our Wild Rose Farm or maybe Red Barn Farm.  It is substantially smaller than where we are now and needs some serious work and studio work space built for both of us, but there is something quite magical about it, a feeling that this place is close to, or maybe even is, what we are hoping to find.

As I have been thinking about this move and dreaming my way into the  change, the word “closer” keeps coming up.  I am not sure what it means.  This house is in fact farther from the horses, farther from a lot of the places we love, like Rhinebeck, New York.   The closer that I am feeling has to do with a certain kind of cosiness, a physical closeness that can escape us in a bigger house.  I think I am also looking for a sense of authenticity.  Again, I am not sure what that means.  A place that feels grounded, rooted, earthed.

Home is important to me.  I know that there is a current fascination with a nomadic, AirBNB existence.  That holds no interest for me.  Maybe it is that I have absolutely no air in  my astrological chart.  I need the grounding and the holding of my home.  I have kids.  I have animals.  I want my nest.  What that nest looks like has mostly been pretty expansive.  So moving into a very small, very old yet charming house would be a big, strange change.  And yet. . .

So today feels as if it has brought us closer to the next step, closer to an acceptance of that step, and closer to a picture of the future.  Every move that we have made in the past has been driven by a certain necessity.  And I don’t mean having to move, but rather being moved to move by a sense of where life was carrying us and being willing to follow that current.

Here is something I learned from Abraham about current.  You can swim very hard upstream, battle against the current (I did that a lot when I was younger and more foolish) but that current will carry you downstream anyway.  Upstream is the past.  Downstream is the future.  Might as well let yourself be carried.

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horse dancing

Sarah playing with her miniature horse, Chub

On Saturday  we visited Sarah Hollis of Tintagel Andalusians in Westhampton, MA.  Sarah is the owner of Escorial, the beautifully trained liberty horse that we have performed with for the past six years.  She is also the most extraordinary, visionary and talented horse person I know.

Sarah, like many of us, is at an interesting, challenging crossroads with her work, due in part to the wild economic weather of the past four years.  But here is the thing that I am seeing with myself and Sarah and a number of other friends.

The terror and the struggle has birthed a lot of new enterprise and imagination.  I launched a blog, wrote a book, made new performance work and am about to launch a new website with a host of new offerings – teaching, coaching, writing, performance.  Sarah is looking at the whole landscape of her work and digging deeper into her greatest passions:  teaching and training.  We are both looking to move in order to get ourselves closer to what will nourish us best.

Pam and I were talking to Jon Katz on Friday, and I said that I had recently gotten a blog post from Seth Godin about catastrophizing.  Over the past few years I have gotten the feeling that I am hard-wired to catastrophize.  That it is my nature  It is who I am.  Jon said that he sees this tendency in our economics and politics and personal lives as a failure of imagination.  He is absolutely right.  When i am in a state of terror, I cannot imagine or create anything.

I know this from my work with horses as well.  When a horse is afraid, they cannot learn.  They cannot do anything but flee or fight.  That is why the positive reinforcement training strategies work so beautifully.  They open space for communication, calming, relaxation, breathing.

I said earlier that the terror and struggle had birthed new enterprise.  That is not exactly right.  Before I could see my way to new creative endeavors, I had to do a lot of that calming, breathing work first. Sometimes I had to do it every minute or even every breath.  I had to use a lot of different strategies, because if yoga or walking worked one day, it might be ineffective the next.

The point is that I have figured out some ways to stay, as Abraham says, “in the vortex,” or in a state of feeling good pretty much of the time.  When the big rogue wave rises, I can duck dive and let it go by most of the time.  I feel good about that.

This week Pam and I are going out to look at some properties.  Leaning forward into whatever is to come next.  We have a tentative name for our new home:  Wild Rose Farm.  It has a feeling of something old, something growing, something blooming, something wild.  It has the feeling of home.

sunday’s very fine art

for sale:  “The Messenger”

This toned photograph has a story.  It is a picture of me as the character in my performance  piece, The Messenger.  The character appears in the film clip on the home page of my website.    We shot this photograph in Wellfleet at dawn about 20 years ago.  I still love it.

11 x 14 or 16 x 20 print with charcoal and pencil and text.

You can purchase by contacting me HERE, or with Paypal.

The Messenger