finding movement in the freeze

170908_DanceNow_Paula_Josa-Jones_003Photos from FLUID by Paula Josa-Jones at the DANCENOW Joe’s Pub Festival

What happens in the face of terror is that we narrow our vision, close down our bodies, shuttering them like stores and restaurants in the face of the fear of contagion.  Maybe it will pass me by.  Maybe it will not find me.  The impulse is to close in, close off, retreat, hide. To try to find protection somewhere, somehow.

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But what if instead, we find ways to expand, even in the face of the contraction that we collectively feel.

Start small.  Begin with letting the eyes to widen to include the periphery, rather than narrowing your vision in a focal tunnel.  Look up from the computer and notice what you see with your peripheral vision.  Steve Paxton, the dancer and choreographer, says that when we engage the peripheral vision, we can feel our bodies more clearly, almost as if we had closed our eyes.

Then let your eyes meander, letting them go wherever they want.  As you do that, notice how the movement of the eyes cascades through the head and neck and the whole body, even if the movement is very small.

Allow the body to move, even if you are sitting, Let small, exploratory movements bubble up from the body, perhaps beginning with awareness of the spine (that three-dimensional column connecting head and tail), and then letting those movements percolate through the rest of the body.  Little movements, almost as if the cells themselves were initiating the movement, or as if your effortless breath is sliding through the spaces between the cells.

The term ‘kinesphere‘ was coined by choreographer Rudolf Laban and is defined as the sphere around the body whose periphery can be reached by easily extended limbs.  With trauma or fear, we tend to shrink our kinesphere in an effort to protect our boundaries, or in an attempt to limit or suppress bodily or emotional feeling. 

Wherever you are right now, notice if the body feels contracted or expansive. Now gently widen your elbows a little away from your sides, and then let them settle back.  Do that a few times and notice any shift in how you feel in body and mind, as you invite a bit of expansion in your body.

Next, let the elbows float out to the sides, and then let that movement flow through the arms until they are softly extended out to your sides.  Stay there for a moment, seeing your hands with your peripheral vision, and then let the arms come back to your sides.

Then slowly float one arm upward toward the ceiling, and then the other. Feel that lengthening though the whole torso and at the same time notice the support from your feet if you are standing, or your hips if you are sitting.  Slowly let the arms come down.

Take a little time each day to play with your kinesphere – gently letting the body explore your near, mid and far reach space.  This can help to restore or encourage a greater sense of spaciousness and ease in body and mind.

I am working with students and clients virtually at this time.  If you would like to arrange a Somatic Experiencing or Somatic Movement Therapy Zoom session, you can contact me at pjj@paulajosajones.org.

 

 

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practicing caring

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My friend Carol Hinson sends out an email daily that lists what she is grateful for and what she is attracting and manifesting.  Today the attracting list included this:  “Covid19 leaves as quickly as it arrived and the world is a kinder place.

I think that is a good place to orient ourselves in a time of such overwhelming unknowns and fear.  Besides the disinfecting and handwashing and social distancing, there are other important things that we can do as we experience this collective trauma.

I am reaching out to people on a daily basis, checking in, telling them that I love them and am thinking of them.   In doing that, I can feel a gentle softening and opening in myself.  I see so clearly now how much my life is defined by what I love, what I cherish, and my great hopes for all beings.

Watching the “presser” this morning, I had a pretty fierce panic, which gave me chills and prompted me to take my temperature.  I am fine. I often (not always) feel that I am porous, and have to be particularly careful about what I take into both body and mind.

It is a good time to cultivate an interest in sound mental hygiene.  What that means will be different for each of us, but has everything to do with keeping one’s mental/emotional surfaces wiped down.  Not ruminating, not binging on news, and moving the body.

About moving.  Sometimes when we just try to calm ourselves, we are skipping the important step of allowing the body to actually discharge the trauma in a way that helps us to find a balance – not overwhelmed and fleeing nor locked down or frozen.

Simple steps like taking a walk, dancing freely to some music that you like, even just listening to music that you find pleasing can help to channel the body’s pent up energy or unfreeze what has frozen.  Because we are living in virtual connection now, maybe sharing an activity on FaceTime can be an option that offers activity and connection.

If you are struggling with what seems overwhelming at this time, I am working with clients remotely via Zoom or FaceTime, using the principles of Somatic Experiencing. You can reach me using this link. 

 

we are live!!!!

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We are live!!!

Our Indiegogo campaign is live! 

Please help us create our new film project:

Embodied Horsemanship:
Deepening Feel and Connection with Our Horses, Ourselves. 

 

We have included some marvelous perks — gifts and exciting opportunities to join us in this endeavor.

 

Please check out the project and make a donation! 
And please share our campaign with friends and family.

 

Thank you!

https://igg.me/at/pjjpw

 

 

 

steps of the dance

Lynn Cross, the director of Little Brook Farm, where Izarra lived before coming to me said that the Mustangs are “wild made” instead of “man-made.” That in the wild, they either had to pay attention or die.  Izarra was culled from a herd of Mustangs in Nevada and has never really had a human of her own.  Someone adopted her, but then was willing to let her go to a slaughter auction, which, thankfully, was when LBF intervened.

When I tell this story, shockingly, many (most) people are unaware that in this country, we do indeed kill horses.  We just send them to Canada or Mexico and let them do the dirty work.  Food for the Asian and European palate.

Summer Brennan (daughter of Lynn Cross) drove to South Carolina to rescue Izarra and bring her to the sanctuary where she lived for about six years.  When I first saw her, what caught me was not only her loveliness but her incredible responsiveness to movement when we first played together at LBF.  Now we are improvising, listening, being as curious about stillness as movement, letting whatever this dance is reveal itself. I am not in a hurry.  I do not have an agenda or a timeline.

I am incredibly grateful to Little Brook Farm for entrusting me with Izarra.  I have known them since 2012, when I choreographed All the Pretty Horses, with their rescued horses and community of children and adults.  One of the horses in the dance was Amado, a Mustang that they had recently rescued, and that Summer was gentling and training.

At that time, I got to experience first hand their big-heartedness and generosity. Please consider supporting this wonderful organization.  You can donate to LBF HERE.

Stay tuned for more Izarra stories!

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