Tag Archives: mirror

through the looking glass

Only after this was downloaded from my camera into iPhoto could I see the world in her eye.  The photographer, the line of field and sky –  the mirror of her eye holding it all.

I don’t think that we really look, most of the time.  There is a meditation called gazing that I have practiced a number of times.  Two people sit face-to-face and gaze into each others’ eyes for five or so minutes.  There is the first nervousness, the twitchy, uncomfortable feeling of being seen, of being naked in a close-up way.  Self-conscious giggles.  At some point there may be a calm, or maybe not.

I am aware of how much of my life is scanning – a minimal taking-in of what I see.  A surface tour.  Not very often sinking into the depths, or awakening the peripheral.  The visual sense is so predominant, and yet so often (for me at least) lacking in detail.

I think that is one of the reasons that I love the camera.  It takes me in and let’s me stay.  Gazing, rapt, voracious even. Framing, capturing, dancing with it – my landscape partners, my subjects.

How do you see?

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the mirror

Photo:  Jeffrey Anderson

I will say right from the start that it feels strange to post this picture.  Even though I am a performer.  Even though I was for a number of years, a model.

About ten years ago I stopped wanting my picture taken.  Age?  Probably.  Something else in the mix as well, I am sure. Something to do with hiding.  However, I am redoing my website, and it was suggested that new headshots were a good idea.  So I trekked to Glen’s Falls and Jeffrey  (with wife Laura and new baby Jeffrey in attendance) took some pictures.  I am not shy with Jeffrey.  So it felt ok to let myself be seen.

The reason that I bring this up is that I wrote yesterday about seeing the Wim Wenders film, Pina.  What I was aware of as I watched the astonishing dancers of her company was the absence of mirror in their dancing.  Their pure, wild absorption in the movement and the moment.  From their words, I understood that Pina was their mirror and their witness.  The big, allowing container for their movement that let them push themselves off precipice after precipice of their dancing and their fear.

As Shunryu Suzuki says in Zen Mind, Beginner’s Mind“When you do something, you should burn yourself completely, like a good bonfire, leaving no trace of yourself.”

Today when I was in my studio, I turned my big mirror around, so that it was only the space and the music holding me.  At first, this was disconcerting – we dancers are mirrored creatures, seeking reflection, affirmation, information.  But then the movement began to tumble and spill.  Almost as if Pina herself were in the room, urging me to dance my longing, my love.